Sunday, December 24, 2017

Ebook Download American Plastic: A Cultural History

Ebook Download American Plastic: A Cultural History

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American Plastic: A Cultural History

American Plastic: A Cultural History


American Plastic: A Cultural History


Ebook Download American Plastic: A Cultural History

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American Plastic: A Cultural History

From Publishers Weekly

Meikle, professor of American studies and art history at the University of Texas, presents a splendid history of plastic. The book is authoritative, thorough, interdisciplinary and intriguing. As aptly characterized in the preface, "the narrative itself takes on a certain plasticity, touching in turn on the histories of technology and invention, of industry and marketing, of industrial design and consumer culture." The author adroitly balances the different perspectives. He traces the course of plastics from 19th-century celluloid and the first wholly synthetic bakelite, in 1907, through the proliferation of compounds (vinyls, acrylics, polystyrene, nylon, etc.) and recent ecological concerns. Amply considered in context are the cultural influences of plastics, which sprang from the original motives of "substitution, imitation, and innovation" to condition our present perceptions, language, lifestyles and expectations. The general attitude of the public toward this industry is ambivalent; the historical details prove instructive. Interested readers of whatever predisposition will likely enjoy this comprehensive and thoughtful treatise. Illustrations. Copyright 1995 Reed Business Information, Inc.

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From Library Journal

While many people would like to think that this is the Information Age, we are in fact living in the Age of Plastics. Since 1979 the production of plastic has far outpaced that of steel. It is doubtful that any of us could envision our world without plastics. From the Barbie dolls we grew up with to the cars we drive, for better or worse, plastics have shaped the world we live in. This scholarly and comprehensive work, by an American studies professor and author of Twentieth Century Limited: Industrial Design in America, 1925-1938 (Temple Univ. Pr., 1981), is nontechnical and emphasizes the social and cultural impact of plastics. Meikle's book is so enjoyable that this reviewer began underlining and writing margin notes while reading. Highly recommended for anyone with an interest in understanding contemporary society.James Olson, Northeastern Illinois Univ. Lib., ChicagoCopyright 1995 Reed Business Information, Inc.

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Product details

Hardcover: 403 pages

Publisher: Rutgers University Press (December 1, 1995)

Language: English

ISBN-10: 081352234X

ISBN-13: 978-0813522340

Product Dimensions:

7.5 x 1.2 x 10.2 inches

Shipping Weight: 2.5 pounds

Average Customer Review:

3.6 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#133,967 in Books (See Top 100 in Books)

Very detail history of the progression of plastic in America

Good Read!

This is a wonderful, precise, highly entertaining book, especially when it focuses sharply on the chemistry and business of plastics. It tells the fascinating story of the origins and development of plastics in the USA (which practically means elsewhere in the world, also) and the personalities of those that created or discovered them. Economically and stylishly written, with impeccable research, this is anything but a dry academic treatise.Certainly, it means to comment on culture as well as the progress of chemistry, and this it does, particularly in the last chapter. Even though I'm a mild Nixon admirer, I didn't mind it (much) when he was brought into the discussion in that closing chapter, which tackles the broader 'meaning of plastic'. Most academics are liberals, which naturally influences their choices of political Exhibits A -- which might not be the ones *I* would choose to illustrate my point. Unfortunately for the argument, Nixon was closer to a 'conviction politician' and did not have the purely opportunistic character or nature that the quoted observers believed he had -- as liberals, they no more understood Nixon's motives than they understand *any* non-Leftists. The author hints that they might be wrong, but in such a way as to leave untouched the suggestion that Nixon was no good but that those opposed to him (and different, and younger) were. So for me, that point fell flat because the supposed experts didn't know what they were talking about. But in the final chapter we have moved away from the real subject of the book, from the nitty gritty of creative adventure.Anyway, I'm pleased to see that this formerly out-of-print book is now available on Kindle, but if you can get the hardcover edition, the full-colour plates in the middle and numerous black and white photos throughout might be worth it.

Meikle produces a book, a text, really, that is almost imperative to every student and instructor of Sociology or Cultural History. The book serves as more than a technological manifest of an object's history, as many tend to do, and exposes a critical part of our modern lifestyles.Few can ignore that plastics exist througout our modern lives more than ever before. In fact, plastics are some pervasive that few care to remember them any more. Such an important material, a material so born in human creation, deserves due notice. American Plastic is just that.The reader stands to benefit from Meikle's background in art history. The development of plastic in the Twentieth Century restricts plastic's popularity not for its utility but rather for its art. The art of plastic became manifest to me when I started working in plastics a few years ago. Before I left, I was able to witness first-hand the development of plastic parts for the myriad "toys" we see today. My division was merely responsible for coloring the material, yet this step was crucial more than any other merely because American's have an aversion to the ugly.We shun the idea of plasticity, a word filled with images of large infinte primary colors and decades long past, but we forget that it is the same plastic we use in our cell phones, computers, soda bottles and cars that we cannot live without. Meikle's work exemplifies this artistic aspect as a factor as important as the technology behind the material.Nonetheless, he does not fail to provide the reader with a rich history of the technological, political and sociological development of plastic. Meikle does not stray for his purpose, and perhaps this is partly why this book is so enjoyable to read.

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Friday, December 22, 2017

Ebook Download Return to Tradd Street, by Karen White

Ebook Download Return to Tradd Street, by Karen White

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Return to Tradd Street, by Karen White

Return to Tradd Street, by Karen White


Return to Tradd Street, by Karen White


Ebook Download Return to Tradd Street, by Karen White

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Return to Tradd Street, by Karen White

From Booklist

Melanie Middleton is 40, single, and pregnant. She hates old houses, and she hates Jack Trenholm, the father of her baby. She doesn’t fit into any of her clothes, and her housekeeper and Jack’s teenage daughter, Nola, are conspiring to get her to eat more flax and fiber. The historic house she inherited in Charleston, South Carolina, is haunted, and now some distant relatives of the previous owner have come to contest her right to live there. Then she discovers a 100-year-old infant skeleton in her backyard and a crib in the attic that matches one in Charleston’s history museum. Things get weirder from there, but Melanie is used to it; she and her mother have been communing with the dead for years. Madcap paranormal, historical mystery, and small-town romance complete with all the requisite quirky side characters collide in the latest and apparently final installment in White’s Tradd Street series. To enjoy its ­southern charm and romantic angst to the fullest, readers will want to start at the beginning of the series, with The House on Tradd Street (2008). --Susan Maguire

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Review

Praise for New York Times bestselling author Karen White “There is a rhythm to the writing of Karen White. It has a pace, a beat, a cadence that is all its own.”—The Huffington Post“White’s dizzying carousel of a plot keeps those pages turning, so much so that the book can [be]—and should be—finished in one afternoon, interrupted only by a glass of sweet iced tea.”—Oprah.com “White captures the true essence of Charleston by intertwining the sights and smells of the historic town with an enchanting story filled with ghostly spirits, love, and forgiveness…a once-in-a-lifetime series.”—Fresh Fiction “This is storytelling of the highest order: the kind of book that leaves you both deeply satisfied and aching for more.”—Beatriz Williams, New York Times bestselling author of Tiny Little Thing “Readers will find White’s prose an uplifting experience as she is a truly gifted storyteller.”—Las Vegas Review-Journal

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Product details

Series: Tradd Street (Book 4)

Paperback: 336 pages

Publisher: Berkley (January 7, 2014)

Language: English

ISBN-10: 0451240596

ISBN-13: 978-0451240590

Product Dimensions:

5.4 x 0.8 x 8.2 inches

Shipping Weight: 9.1 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

605 customer reviews

Amazon Best Sellers Rank:

#62,413 in Books (See Top 100 in Books)

In the fourth and final book of the Tradd Street series, ambitious Charleston realtor Melanie Middleton prepares for single motherhood and helps solve the mystery behind the remains of an infant that are found in the foundation of her historic Tradd Street home.For those new to the series, definitely start at the beginning – these books all build off of each other.I loved the first three books in this series and was looking forward to finding out how it all ends. I read the first two books years ago and then read the third (The Strangers on Montagu Street) and fourth back to back recently. I’ll talk about this more in a minute, but I think reading the final two books back to back absolutely affected my opinion of the story, and Melanie in particular.Every book in the series includes a romantic and a mystery element, with the mystery involving the ghosts that inhabit historic Charleston homes. I loved Return to Tradd Street‘s mystery, but wasn’t as keen on this installment’s romantic element. This mystery was fairly complicated – I had to read over the “here it is on a silver platter” explanation TWICE before I fully understood it. But, this is a good thing, because Montagu Street‘s mystery was a bit simplistic and I easily figured it out on my own. Even after it was solved, this mystery left me with a real dilemma about the honorable course of action, which added depth to the book.On to Melanie…WOW, did she ever drive me crazy in this book!! Her stubbornness and insistence on avoiding things (even really important things, like going to the doctor when you’re pregnant!) really made me dislike her in this book. She started to rub me the wrong way towards the end of Montagu Street and then it just snowballed in Return to Tradd Street…I think because I read the last two books back to back. Apparently, Melanie tries my patience so much that I need a break from her between books! My frustration with Melanie’s avoidance issues was also the reason I wasn’t as keen on this installment’s romantic element, but I don’t want to ruin the story by saying anymore than that.Despite my annoyance with Melanie in this book, I liked the ending to the series and particularly loved this installment’s mystery. The whole series is a great choice if you’re looking for a light, quirky read!Had I need less annoyed with Melanie, this would have been a 5 star review!For more reviews, check out my blog, Sarah's Book Shelves.

Charleston, South Carolina is one of my favorite cities. I can’t even count the number of times I’ve been there. It is no wonder I fell in love with RETURN TO TRADD STREET. The descriptions of Charleston are so vivid, I instantly recognized places I have been. I’ve stayed at the Charleston Place Hotel, and it’s every bit as elegant as Karen White portrays it. The Palmetto Café where the main character Melanie (Mellie) Middleton and her best friend meet for lunch is not to be outdone. I don’t think there is a museum I haven’t visited, and Tradd and Legare, East Bay Street, South Battery, and Broad are streets I have walked.Mellie has inherited a beautiful stately old Charleston home, as well as a housekeeper, and a dog named General Lee from Nevin Vanderhorst after only meeting him once. She is a realtor that specializes in old homes, and she met him to discuss putting his house on the market. She is pregnant and has told the father Jack Trenholm she won’t marry him. Jack has a teenaged daughter, a talented musician, who has the typical teenage clashes with her dad. Nola and Mellie have bonded, and Mellie often finds herself in the role of “mother”.The story was fantastic. I could hardly put it down. There are several conflicts in the story that Mellie needs to solve. Mysteriously, she hears a baby crying while in her house. Is she in love with Jack? Will she get to retain ownership of the house? Does she even want the house? How will she and Jack work out the details of parenthood after the baby is born? There is a lot of action to keep you turning the pages.The characters were fascinating. Do Mellie and her mother have psychic powers? Can anyone be as handsome as Jack? The Gilberts come into the story, and in the beginning I disliked them, but as Mellie learned more about them and came to like them herself, so did I. Sophie, Mellie’s best friend, has a very colorful way of dressing, not at all stylish, but is what everyone wants in a friend. I could describe these characters and more in greater detail, but I don’t want to spoil the book for other readers.This is the first book by Karen White that I’ve read, and it definitely won’t be the last. I highly recommend this book to anyone who loves a good romance with a bit of a mystery as well.

This book, the fourth in the Tradd Street series by Karen White has me a bit perplexed. I read the first three books and gave five stars to each; however, I just cannot do that for Return to Tradd Street. The main character, Melanie, is becoming quite annoying with her negativity and constant mind chatter that doesn’t seem to be in harmony with reality. There didn't appear to be a real reason why Melanie should be nursing a broken heart. As well, there was so much more that could have been developed in the story including back-stories and character formations for the Detective and the Gilberts. I don’t know why characters Rebecca and her fiancé Marc Longo had a role in the story at all. It took me considerably longer to finish reading this book than it would normally take a book of this size. I kept putting it down; it wasn’t a page-turner like the others in White’s series.I am normally quite interested in White’s writing and the manner in which she forms her story and even though this book did not strike my fancy, I am familiar enough with White’s books and her writing style that she will continue to be a favorite author and should there be a fifth in the series, I’ll certainly read it.Other books that I've read and enjoyed by Karen White are:THE MEMORY OF WATERTHE BEACH TREESSEA CHANGE- See more at: [...]

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